Bibliographie
Définitions
Barthes
Bourgaux
Corvin
Gouhier
Pavis
Ubersfeld


Extraits
Baillon
Burns
Goffman
Pavis


Textes

Jeu théâtral
Théâtralité du corps
Théâtralité de l'espace



Bibliographie
Définitions Austin
Carlson
Diamond
Schneider
Turner


Extraits
Austin
Carlson
Diamond
Dolan
Féral I
Féral II
Leclercq
Parker
Schechner I
Schechner II
Schechner III
Vidéo - Le Dortoir

Textes

Images



Allen, Amy (1998). «Power Trouble: Performativity as Critical Theory», in Constellation, vol.5 no. 4, p.456-471.

Alter, J. (1990). A Sociosemiotic Theory of Theatre. Philadelphie: University of Pennsylvania Press.

Aslan, O. (1993). Le corps en jeu. Paris: CNRS.

Auslander, P. (1994). Presence and Resistance: postmodernism and Cultural Politics in Contemporary American Performance. Ann Arbor: University of Michigan Press.

Austin, J.L. (1975). How to Do Things with Words. Cambridge: Harvard University Press.

Austin, J.L., in Quand dire c'est faire. Paris : Seuil 1970, pp. 40-45.

Bacon, F. "Logique de la sensation".

Bakhtin, M. (1986). Speech Genres and Other Late Essays. Austin: University of Texas Press.

Barad, Karen (2003). «Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter» in Journal of Women in Culture and Society 2003, vol. 28, no. 3, p.801-831.

Barba, E. (1995). L’énergie qui danse, L’Art secret de l’acteur. Bouffonneries, no 32-33, Lectoure.

Battcock, G. et NICKAS, R. (1984). The Art of Performance. A critical Anthology. New York: Dutton, 344p.

Baudrillard, J. (1988). De la séduction. Paris: Denoël, 246p.

Bauman, R. (1977). Verbal Art as Performance. Rowley: Newbury House.

Bauman, R. (1986). Story, Performance, and Event: Contextual Studies in Oral Narrative. New York: Cambridge University Press.

Bell, Vikki, «Performative Knowledge», Theory, Culture & Society, 23(2–3), 2005, p. 214-217.

Bell, Vikki, «Performativity and belonging: An Introduction», dans Theory Culture Society, no 16, 1999, p. 1-10.

Benamou, M. (1977). Performance in postmodern culture. Coda Press, 234p.

Bernard, M. (2001). De la création chorégraphique. Paris: Centre national de la danse.

Bharucha, R. (1993). Theater and the World: Performance and the Politics of Culture, Londres: Routledge.

Blau, H. (1983)."Universals of Performance: Or, Amortizing Play". Sub-Stance, vols. 37-38, pp.140-161.

Blau, H. (1992). To All Appearances: Ideology and Performance. Londres: Routledge.

Bouissac, P. "Behavior in Context: In What Sense Does a Circus Animal Perform?" in Thomas SEBEOK and Robert Rosenthal (eds). The Clever Hans Phenomenon: Communication with Horses, Whales, Apes and People. New York: New York Academy of Sciences.

Brewer, M. M. (1985). "Performing Theory". Theatre Journal, vol.37, pp.13-30.

Bronson, A. et GALE, P. (éds) (1979). Performance by artists. Toronto: Art Metropole, 319p.

Burnham, L. F. (1986). "High Performance, Performance Art, and Me". TDR, vol.30, pp.15-51.

Butler, J. (1988). "Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory". Theatre Journal, vol.40, pp.519-531.

Butler, Judith. (1990), “Subversive Bodily Acts” in Gender trouble, New York : Routledge, pp. 136-141.

Butler, J. "Inscriptions corporelles, subversions performatives".

Butler, J. Excitable Speech: A Politics of the Performative. New York: Routledge.

Calzadilla, F. (1999). "Identity Case-d".

Campbell, P. (éd.) (1996). Analysing performance. New York: Manchester University Press, 307p.

Carlson, L. (1990). "Performance Art as Political Activism". Artweek, vol.22, pp.23-24.

Carlson, M. A. (1989). Places of Performance. Ithaca: Cornell university Press.

Carlson, M. A. (1996). "Invisible Presences: Performance Intertextuality". Theatre Research International, vol.19, pp.111-117.

Carlson, M. A. (1996). Performance: a critical introduction. Londres: Routledge, 247p.

Carlson, Marvin A., «What is Performance» in Performance. A Critical Introduction, Routledge, Londres, 1996, p.1-9.

Carlson, Marvin A., «The performance of culture» in Performance. A Critical Introduction, Routledge, Londres, 1996, p.13-33.

Carlson, Marvin. 2008. «Perspective on Performance : Germany and America» in The Transformative Power of Performance : A New Aesthetics, Erika Fischer-Lichte, New York & Londres : Routledge, p. 1-10.

Carr, C. (1994). On Edge: Performance at the End of the Twentieth Century. Middletown: Wesleyan University Press.

Case, S.-E. (1991). The performance of power. Iowa City: University of Iowa Press, 284p.

Case, S.-E. (éd.) (1991). Performing Feminisms: Femisnist Critical Theory and Theatre. Baltimore: Johns Hopkins University Press.

Conquergood, D. (1985). "Performing as a Moral Act: Ethical Dimensions of the Ethnography of Performance". Literature in Performance, vol.5, pp.1-13.

Conquergood, D. (1991). "Rethinking Ethnography: Towards a Critical Cultural politics". Cultural Monographs, 58:2, pp.179-194.

Conquergood, D. (1992). "Ethnography, Rhetoric, and Performance". Quarterly Journal of Speech, 78, pp.80-123.

Conquergood, D. (1992). "Ethnography, Rhetoric, and Performance". Quarterly Journal of Speech, vol.78, pp.80-97.

Conquergood, D. (1995). "Of Caravans and Carnavals: Performance Studies in Motion". TDR, 39:4, pp.137-141.

Counsell, C. (1996). Signs of performance: an introduction to Twentieth-Century Theatre. New York: Routledge, 242p.

Danet, B. (1973). "Speech, writing and Performativity: an evolutionary view of the history of constitutive ritual". in L. Gunnarsson-Britt (éd.), The Construction of professional discourse, Londres: Longman, pp.13-41.

Danielsson, S. (1973). Some conceptions of performativity. Uppsala: Philosophical Society and the Dep. of Phil., University of Uppsala, 53p.

D'Cruz, G. (1995). "From theater to performance: constituting discipline of performance studies in the Australian Academy". Australasian Drama Studies, Queensland, Avril, #26, pp. 36-52.

Deleuze, Gilles (2002). « Chapitre 6: Peinture et sensation» in Francis Bacon : Logique de la sensation, Paris : Éditions du Seuil, p.39-71.

Dempster, E. 7 als. (Ed.). (1991). Writing on Dance and the Authors. 7. Privilege and Presence. p.50-60.

Derrida, Jacques.  (1972), in Marges De La Philosophie. Paris : Minuit, pp. 382-390.

Dewsbury, John-David, «Performativity and the event: enacting a philosophy of difference», dans Environment and Planning D: Society and Space, volume 18, 2000, p. 473-496.

Diamond, E. (éd.) (1995). Writing Performances. Londres: Routledge.

Diamond, E. (éd.) (1996). Performance and Cultural Politics. Londres: Routledge.

Diamond, E. (éd.) (1997). Unmaking Mimesis. Londres: Routledge.

DiLeonardo, Micaela. «Dwight Conquergood, Political Economy, Performance Studies» in Cultural Studies Vol. 21, No. 6 November 2007, pp. 810 -814.

Dolan, J. (1993). "Geographies of Learning: Theatre Studies, performance and the "performative". Theatre Journal, Baltimore, décembre, 45:4, pp.417-441.

Dupuy, J. (éd.) (1980). Collective Consciousness. Art Performance in the Seventies, Performaing Arts Journal Publications.

Durand, R. "La performance et les limites de la théâtralité".

Durand, R. "Une nouvelle théâtralité : la performance".

Eco, U. (1977). "Semiotics of Theatrical Performance". TDR, vol.21, pp.107-117.

Elwes, C. (1985). "Floating Feminity: A Look at Performance Art by Women". in S. Kent et J. Morreau (éd.), Women's Images of Men, Londres: Writers and Readers Publishing, pp.64-93.

Fabian, J. (1990). Power and Performance. Madison: University of Wisconsin Press.

Fenoglio, I. (1993). "Performatif et jeux avec les mots".

Féral, J. (1992). "What is Left of Performance Art? Autopsy of a Function, Birth of a Genre". Discourse, vol.14, pp.142-162.

Fischer-Lichte, E. (1987). "The performance as an "interpretant" of the drama". Semiotica, no 64:3-4, pp. 197-212.

Fischer-Lichte Erika. «Explaining concepts. Performance and Performativity» in The Transformative Power of Performance, A New Aesthetics, Routledge, Londres et New York, 2008, p.24-37.

Fischer-Lichte Erika (1995). «Theatricality. A Key Concept in Theatre and Cultural Studies» in Theatre Research International, vol. 20, no.2, p.85-120.

Foster, G.-A. (éd.) (1998). "Theories of Performativity". Film Criticism, automne, 23:1.

Fraligh, S. Dance and the Lived Body.

Fried, M. Contre la théâtralité.

George, D. (1989). "On Ambiguity: Towards a Post-Modern Performance Theory". Theatre Research International, vol.14.

Gillibert, J. (1993). L'Acteur en création. Toulouse: Presses Universitaires du Mirail, 204p.

Ginet, C. (1979). "Performativity". Linguistics and Philosophy: an international journal, Austin, 3, pp.245-265.

Goldberg, R. (1979). Performance: Live Art 1909 to the Present. New York: H. Abrams, 128p.

Goldberg, R. Performance art: from futurism to the present. New York: H.N. Abrams, 216p.

Habermas, J. (1984, 1987). The Theory of Communicative Action. Boston: Beacon Press.

Hayum, A. (1975). "Notes on Performance and the Arts". Art Journal, vol.34, pp.337-340.

Howell, A. et Templeton, F. (1977). Elements of Performance Art. The Ting: The Theatre of Mistajkes.

Huizinga. (1987). Homo ludens.

Hutchins, C. "Poetry As Performativity And Excess: An Essay On Politics And Anti-Foundational Academic Discourse, And Seven Poems On Sedimentation".

Huyssen, A. (1986). After the Great Divide: Modernism, Mass Culture, Postmodernism. Bloomington.

Inga-Pin, L. (éd.) (1978). Performances: happenings, events, activities, installations. Padova: Mastrogiacomo-Images, 216p.

Issacharoff, M. (1989). Discourse as performance. Stanford: Stanford University Press, 161p.

Issacharoff, M. et JONES, R. F. (1988), Performing Texts. Philadelphie: University of Pennsylvania Press.

Jackson, S. (1993). "Ethnography and the Audition: Performance as Ideological Critique". Text and Performance Quarterly, vol.13, pp.21-43.

Jackson, Shannon (2005). «Performing Show and Tell: Disciplines of Visual Culture and Performance Studies» in Journal of Visual Culture 2005 4: 163, p.163-177.

Jacobson, L. (1994). "What is performance studies". American Theatre, janvier, 11:1, pp.20-22.

Jones, A. (1998). Body Art: Performing the Subject. Minneapolis and London: University of Minnesota Press.

Kaye, N. (1994). Postmodernism and performance. New york: St-Martin's Press, 180p.

Kaylan, M. "Performance Act: The presence of the performer".

Kelsey, B. R. (1982). "Play: a performative hermeneutic of drama". Dissertation Abstracts International, Ann Arbor, octobre, 43:4, 1152A-1153A.

King, B. A. (éd.) (1991). Contemporary American theatre. New York: St- Martin's Press, 289p.

Kirby, M. (1982). "Nonsemiotic Performance". Modern Drama, vol.25, pp.105-111.

Kirby, M. (éd.) (1974). The New Theatre. Performance Documentation. New York: New York University Press, The Drama Review Series.

Kirshenblatt-Gimblett, B. (2000). "Performance Studies Issues and Methods".

Konyves, T. (éd.) (1980). Art Montreal, Performances, Québec 1980. Montréal: Véhicule Art.

Kostelanetz, R. (1994). On Innovative Performance(s): Three Decades of Recollections Alternative Theater. Jefferson: McFarland.

Lackow, Jon and José Truszkowska, Natalia. "Term: Performativity".

Lee, B. (1997). Talking Heads: Language, Metalanguage and the semiotics of subjectivity. Durham: Duke University Press, 376p.

Lehmann, Hans-Thies. 2002. «Performance» in Le théâtre postdramatique. Paris : L’Arche, p.216-234.

Loeffler, C. E. et TONG, D. (éd.) (1980). Performance Anthology: Source Book for a Decade of California Performance Art. San Francisco: Contemporary Art Press, 500p.

Louppe, L. (2000). Poétique de la danse contemporaine. Bruxelles : Contredanse. 392 P.

Lovell, Terry (2003). «Resisting with Authority: Historical Specificity, Agency and the Performative Self» in Theory, Culture & Society 2003 Vol. 20(1), p.1–17.

Lyotard, J.-F. (1973). Des dispositifs pulsionnels. Paris: Union Générale d'éditions, 10/18, 318p.

Lyotard, Jean-François. (1979), in La Condition postmoderne. Paris : Minuit, pp. 74-88.

Markussen, T. Practising Performativity.

Marranca, B. et Dasgupta, G. (éd.) (1991). "Interculturalism and performance: writings from PAJ" New York, Performing Arts Journal, 335p.

Martin, R. (1990). Performance as Political Act: The Embodied Self. New York: Bergin & Garvey.

McKenzie, J. (1996). "All Performance Is Electronic: Feedback Requested".

Mehta, X. (1984). "Some Versions of Performance Art". Theatre Journal, vol.36, pp.164-198.

Mifflin, M. (1992). "Performance Art: what is it and where is it going?". Art News, vol.91, no 4, pp.84-89.

Nuttall, J. (1979). Performance Art: Memoirs. Londres: John Calder.

Parker, A. et Sedwick, E. K. (éd.) (1995). Performativity and performance. New York: Routledge, 239p.

Pavis, Patrice (éd.) (1996). The intercultural performance reader. Londres: Routledge, 267p.

Payant, R. (1987). Vedutes: pièces détachées sur l'art. Laval: Trois, 682p.

Phelan, P. (1993). Unmarked: The Politics of Performance. Londres: Routledge.

Pontbriand, C. (éd.) (1981). Performance: Text(e)s & Documents: actes du colloque Performance et multidisciplinarité: postmodernisme. Montréal: Éditions Parachute, 237p.

Postlewait, T. et Mc Conachie, B. A. (éd.) (1989). Interpreting the theatrical past: essays in the historiography of performance. Iowa City: University of Iowa Press, 325p.

Pradier, J.-M. (1987). "Anatomie de l'acteur". Théâtre/Public, 76-77, juillet-octobre, pp.35-44.

Pradier, J.-M. (1987). "Bio-logique et sémio-logique: de la structure du vivant à la vie du sens". Degrés, no 42-43, été-automne, d1-d16.

Reinelt, J. et Roach, J. R. (éd.) (1992). Critical Theory and Performance. Ann Arbor: University of Michigan Press.

Rokem, F. (1992). "A walking angel: on the performative function of the Human". Assaph: Studies in the Theatre, Tel Aviv, 8, pp.113-126.

Rothenberg, Molly Anne. «Embodied Political Performativity in Excitable Speech : Butler's Psychoanalytic Revision of Historicism» in Theory, Culture & Society 2006,Vol. 23(4) p.71–93.

Roth, Moira (éd.) (1992). The Amazing Decade. Women and Performance Art in America, 1970-1980. Los Angeles: Astro Artz, 165p.

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Russell Brown, J. (1996). "Performance, Theatre training and research". New Theatre Quarterly, août, 12:47, pp.207-215.

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Saivetz, D. (1997). "Releasing the "profound" physicality of performance". New Theatre Quarterly, novembre, 13:52, pp.329-338.

Sawyer, R. K. (éd.) (1997). Creativity in performance, Greenwich: Ablex, 320p.

Scarpetta, G. (1985). L'impureté. Paris: B. Grasset, 389p.

Schachenmayr, V. (1997). "Edited to the point of performativity: strategies for engaging the Woyzeck Faksimilieausgabe". Journal of Dramatic Theory and Criticism, Lawrence, automne, 12:1, pp.57-76.

Schechner, R. (1973). "Performance and the Social Sciences". TDR, vol.17, pp.5-36.

Schechner, R. (1973). Environmental theater. New York: Hawthorn Books, 339p.

Schechner, R. (1982). The end of humanism: writings on performance. New York: Performing Arts Journal, 127p.

Schechner, R. (1983). Performative circumstances: from the Avant Garde to Ramlila. Calcutta: Seagull Books, 337p.

Schechner, R. Performance Systems: a Comparative Chart.

Schechner, R. (1988). Performance theory. New York: Routledge, 304p.

Schechner, R. (1990). By means of performance: intercultural studies of theatre and ritual. Cambridge, Ang.: Cambridge University Press, 298p.

Schechner, R. (1993). The future of ritual: writings on culture and performance. Londres: Routledge, 283p.

Schechner, R. (2002). "Post Post-Structuralism?". TDR, Volume 44 Number 3, Issue 1 September.

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Scheie, T. (1994). "Body trouble: Corporeal "presence" and performative identity in Cixous' and Mnouchkine's L'Indiade ou l'Inde de leurs rêves". Theatre Journal, Baltimore, mars, 46:1, pp.31-44.

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